【序章】从如懿传到知否，不健康的爱情关系与被阉割的大女主！
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从如懿传到知否，影视创作者越发陷入对女性的刻板印象二元塑造上，粗暴的将女性分为圣女和毒妇，而在大女主的塑造上又继续这个陷阱，创造出假男人和真娇妻，为何女性题材影视剧总会陷入二元对立陷阱？
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